"Temporary Monsters" by Ian Rogers

Temporary Monsters

by Ian Rogers

Burning Effigy Press (2009)

39 pages

ISBN 9781926611073

I do love me some gritty urban fantasy, so when The Man Eating Bookworm reviewed this novella by up-and-coming Canadian author, Ian Rogers, it caught my eye.

Set in a world in which monsters do exist and the borders between our dimension and a hellish one known as the Black Lands exists as well, Felix is a burned-out private eye with an ex-wife and bills to pay. His latest job has him looking into the background of a movie star who went on a psychotic rampage, in the guise of a vampire, before someone killed him in self-defense--that someone being Felix, no less. Felix soon learns the rising star was not only doing one helluva job as a vampire when he went outhouse crazy in a restaurant, but the movie he was working on in town had him playing a vampire. And when things go wrong with the actor's co-star, who is playing a werewolf ... well, one guess how that turns out.

The world Ian has created here is surprisingly robust when barely using thirty pages to not only set the stage, but tell the whole story. The added twist of a drug that seems to temporarily morph users into monsters of choice is both macabre and original. There's a good payoff at the end with enough of a teaser for future installments. In fact, The Ash Angels is the next story in the Black Lands series, which I hope to read sooner rather than later.

Seeing Canada portrayed as something other than a snowbound land of overly polite syrup-suckers is always welcome, and Ian did a heckuva job layering grime all over Toronto. I'm looking forward to reading what else he has in store for the great white north and abroad.

'Red Penny Papers' (Fall 2011)

I can't remember exactly when it was I discovered Red Penny Papers, but I can tell you it's been a welcome source for short fiction from day one. Stories by Aaron Polson, Camille Alexa, Natalie Sin, and others have provided me with no shortage of creepy, fun stories--and all of them for free.

The Red Penny Papers fall edition presented five short stories from authors who are all brand new to me. "Arkady's Apprentice" by S.J. Hirrons was a rather stirring tale of magic and legacy with a magician, his apprentice, and his son. The side-note at the end of this story, where Hirrons writing instructors apparently dismissed this story as unpublishable. Whoops. That's some writing school.

Next was "So Long, Warren" by Ash Krafton, a devilish mix of noir and the supernatural, which is one of my favorite combinations these days. "Iron Jack" by Mark Rossmore was interesting with its decomposing marriage and the automated servant tearing the couple apart.

"Oni wa Soto" by Sara Kate Ellis would probably be classified as my favorite of the bunch. A story about a devil with a crisis at the workplace. The Japanese setting, along with the undercurrent of dark humor, really resonated with me. Good stuff. And then "Janitors of the Cosmos" by William Vitka finished off the collection. This one could be classified as the strangest of all five stories, bordering on the surreal, as a "god" exterminator roams the universe hunting down various incarnations of deities who still cling to their would-be worshippers.

If you'd like to check these stories out, you find them all on Red Penny Papers' website. I managed to get this in November when Katey the editor pointing me towards an e-book edition--for free! It might still be available, so if you prefer e-books over reading from your web browser, I highly recommend going that route.

Just checked on Smashwords and it's still available free of charge: https://www.smashwords.com/books/view/85230

"King Death" by Paul Finch (Spectral Press Chapbook Vol. 4)

It's pretty hard to imagine the rampant disease and death and quite literally plagued Europe, even the world, during the 14th century. Perhaps the centuries have mythologized the Black Death to a point that it's simply hard to comprehend. Hell, judging by the degree to which the public at large loses their damn minds when the evening news mentions a flu outbreak, a bonified pandemic wouldn't have to hit us physically--the world would be crippled on a psychological level. So think back to a time when our modern medical marvels didn't exist, but an engrained acceptance of the supernatural did. What would that world really look like?

Well, Paul Finch shines a spotlight on one patch of England, as a con man roams the country side exploiting death and superstition by parading himself as King Death himself. Rodric is out to plunder a devastated territory for whatever meager gain he can get. After all, who's going to stop them when everyone is too busy dying?

That's kind of a simplistic summary of Rodric and his motives, and when he encounters and orphaned lad with a chip on his shoulder, Rodric's motives are given a real test.

The story itself weighs in around twenty pages, but that's plenty of time to set the stage and the stakes. Some of the language is a bit of a chore to get through for a dullard like me who doesn't read historical fiction that stretches much further beyond the 18th century. Fortunately, there's a glossary at the end of the book, so a quick glance at that and I was off to the races.

This is the first time I've read Paul Finch's work and walked away impressed, showing Spectral Press has a good eye for picking out short fiction to feature in their chapbook series. Paul apparently has a helluva lot more work out there, so I'm going to have to look up some more of his work down the road.

"Last Dance of the Black Widow" by Bradley Convissar

A while back I hada chance to read Brad's novella, Dogs of War, and while I wasn't wowed by it I thought it showed the guy had something going for him, and I wanted to keep his work in mind for later down the road, like the litany of names on my watch list. Then, last week, I stumbled across a free short story by him up on the Kindle Store. I figured I could make some time for a 3,000 word story to check out another piece of his work.

"Last Dance of the Black Widow" is about a widow Abbey Whistler waiting in her hospital room, waiting for her judgment to arrive in the wake of her death. Time is at a standstill, seemingly frozen until its decided whether she's headed upstairs or down. When someone joins her in the room finally, it's her long-dead father and the news isn't good.

The story essentially takes place entirely in the hospital room with the revelations and action occurring through their conversation. Abbey pleads for admittance to Heaven, but as the story progresses it becomes clear that it's unlikely she'll get her wish, and even she understand why deep down.

Some of the dialogue feels a bit stiff, a tad theatrical, but it's a story I found interesting for the fact that I my sympathy for Abbey eroded with each page. And I thought the end worked quite well.

It's worth a look if you want to take a chance on an independent author.

The Spectral Press Chapbooks Volumes 1-3

Spectral Press started out this year as a new imprint dedicated to short works of horror fiction, inspired by the classic tales of the late 19th and early 20th centuries, while still looking forward for today's brightest writers with new ideas and new approaches to instilling terror in readers. But, with three issues now out, how close have they come to backing up their claims of providing high quality stories?

What They Hear in the Dark by Gary McMahon

I've got a brand new Gary McMahon novel sitting on my bookshelf waiting to be read, but for some reason I haven't put it at the top of the heap. After reading this story, maybe I ought to reconsider. A married couple buy a big ol' house in the wake of their young son's death. It's a fixer-upper, it'll keep them busy, help them get some closure. But we all know closure is hard to come by, especially when the house you move into has a room that shouldn't exist. The Quiet Room.

I am a sucker for a haunted house story, and this was is one of the best I've read in the last year or more. Rob and Becky, the couple living in the house, offer two stark views of the room and what it means to each of them. Rob hears absolutely nothing, barely his own thoughts, but feels a sinister force somewhere inside the room whenever he is inside it. While Becky has convinced herself the spirit of their dead son is in there. Whether there is something in the room or whether Rob and Becky are projecting pieces of themselves into its void, that's one of the questions that lingers.

The Abolisher of Roses by Gary Fry

I'm unfamiliar with Gary Fry's work, this being my first chance to read his stuff, and it seems I will have to make it a point to find more. His story revolves around Peter, a stodgy businessman, who winds up being dragged by his wife Patricia to an outdoor art exhibit. He'd rather be off cavorting with his mistress, but entertaining his wife's interests from time to time seems to keep the marriage together. But, Peter strays from his wife and the lone path in the gardens out of frustration and discovers artwork that feels too macabre and too personal to belong with the rest of the exhibit.

This was easily the creepiest of the three volumes, as Fry's story gives a bit of the ol' down-the-rabbit-hole vibe, as Peter wanders further into the woods. The guy has such an alienated reaction to the mediocre art he is used to seeing, that when he sees the grotesque and uncomfortably intimate artwork he finds off the beaten path, poor old Peter's sanity has trouble maintaining a foothold. For the mere idea of liberal arts driving a stuffed-shirt conservative to the brink is enough to make me enjoy this one, but Fry goes a wee bit further in scope with this story.

Nowhere Hall by Cate Gardner

The men in pinstripe suits aren't the only strange things populating Cate Gardner's imagination. With Nowhere Hall she offers up a building as unsettling and unraveling as Stephen King's Overlook Hotel--The Vestibule.

Ron is having an off day. So off, in fact, he's contemplating a slow walk through busy traffic. But instead of stepping off the curb, he turns back towards the gleaming white hotel at his back, the Vestibule. Drawn to it, both by a want for shelter and the allure of a beautiful woman who steps inside, Ron goes inside after catching a mysterious umbrella that fell into his waiting hand. Inside, the surreal goes up another notch, with the hotel appearing abandoned and brand new at the same time, mannequins seem to come to life, and the hotel's concierge knows more than he's letting on.

Where Gary Fry's story had a bit of the Alice in Wonderland, Cate's story had it by the bowlful. Nowhere Hall felt like the kind of story Rod Serling would have written if he had a poet's heart--and a hit of LSD. It's a sad song sung slightly off-key, which manages to make it all the more haunting.

The Book of Elizabeth

The Book of Eilzabeth by Darby Harn (Fair Play Books, 2011) – The cover blurb of this new fantasy novel from debut novelist Darby Harn reads as follows: "The world as we know it has vanished in the blink of an eye. All of human history, washed away. In its place, a new story of humanity, a story without the complications and twists we all know; a story without the Cold War, or Shakespear. Without Christ." Alice, a contemporary teenager from the mid to late eighties, disappears from her current time, her current world, and wakes up here, in a very alien version of our own world. There are massive airships capable of travelling the world and even through space to other planets. Mars, for example, is colonized. The world-building throughout this novel is a display of unbridled imagination.

In this other world in this novel there is an ongoing war. The dominating power ruling the world is hunting down and killing individuals called “echoes.” These echoes are people transported to this new world from various timelines of our own reality. Alice is an echo. She is hunted by a young girl, Miranda, and her elder mentor, Joshua, in the opening scenes of the novel. As the novel progresses we learn that Joshua has begun to question authority and has lost his desire to perform his job which is killing these echoes. He sees them as people instead of as faceless threats to the status quo. This is lucky for Alice, of course.

But these people are ultimately secondary characters. There is another, far more important, echo that the authorities want destroyed. This echo is known as Elizabeth. In our world, she was Queen of England. In this other world, she is a potential spiritual savior. She transcribes the Bible in her early years in this other world to comfort herself in exile. These transcriptions were found and have started a spiritual revolution in a world that had existed without any form of faith, at least not in the religious sense. Her transcripts sow the seeds of an underground revolution.

This is ultimately what the novel is about, more than the characters, more than the settings. This is a novel exploring the concept of how Christianity might transform a world that has existed without it for most of known history. This idea is explored from several angles, it explores the good and the bad that such a powerful religious force might have within a world that is devoid of spirituality. There are no easy answers in the context of this novel.

Some proponents of the New Atheist movement often put forth the suggestion that religion is the driving force behind all wars. While there are many examples of religious disagreements leading to bloodshed, it seems naive and falsely optimistic to me to think that if we rid the world of religion that all wars and bloodshed would automatically cease. The human drive for power and domination would still exist, after all. I thought this notion was explored nicely within the context of this narrative. It's not the religions that are the problem, it's the people. Religions are just an extension of people and often stray from their most basic source truths, in my opinion, but I'm digressing. Yet this digression is intentional in the context of this review: This is exactly the kind of tough question the novel faces and is brave enough to leave behind with a measure of ambiguity in the answers. This is as it should be.

As one character states: "We can never know the truth. ... Only existence. We must accept our lives as they are, or else we will never know our suffering." So, what is the truth? "We can never know the truth." This seems to be the idea at the center of this novel. The only answer seems to be there may be no answer.

While a thought-provoking and mostly entertaining read, the novel does suffer from a few freshman foibles. The narrative thrust loses steam during transitions from one character to another in places. The epic battle scenes sometimes have a little too much going on and lose their focus. Also, another round of copy-editing may have benefited the story as I picked up numerous issues with verb tense and misused words. But these are minor quibbles, and I see these as common issues with first-time novelists. I know that Darby is working on a sequel. My friendly suggestion would be to focus more on the characters, on dialogue, on relationships, because that is where he shines. I understand Miranda will be the main focus of this sequel. I think this a wise choice. Her moral choices and evolving sense of self were the highlight of The Book of Elizabeth. I look forward to seeing what comes next. This is a world I would be happy to return to.

My six-pack review: 4 out of 6 Elizabethan Ales.

Disclaimer: The author of this review knows and has worked with the author of the novel in the past. Free electronic copy provided by the author for review.

"Serial" by Jack Kilborn and Blake Crouch

Serial

by Jack Kilborn (aka J.A. Konrath) and Blake Crouch (aka Blake Crouch)

Norwood Press signed limited edition (2009)

64 pages

I had a free PDF copy of this novella from J.A. Konrath's website, but I never got around to reading it until I won a physical copy from The Man Eating Bookworm. As it stands, I really should have read it as soon as I had that PDF--but I hate reading books in that format.

The story is dead simple: what if two incredibly efficient, undeniably psychopathic serial killers crossed paths, and targeted each other without realizing they were cut from the same cloth?

The answer: mayhem.

Donaldson is a killer whose preferred prey is any hitchhiker on a lonely stretch of highway that catches his eye. He doesn't fuss with knives or guns, though. Nope, he's got a customized kill wagon with reinforced steel behind the plush dashboard that a lot of damage. If you've ever seen Deathproof, and the car Kurt Russell drives, just imagine a family friendly version of that. Then, there's Lucy, who is just the sweetest little thing you ever did see--and she knows it. She winds up being Donaldson next hitchhiker, since she's the kind of killer who gets off on luring men to pick her up from the side of the road, so she can take them somewhere secluded and torture the holy hell out of them.

Donaldson and Lucy were born to meet.

The collaboration worked really well between Konrath and Crouch, with Joe creating Donaldson and Blake creating Lucy, then pitting the two characters against each other. Kind of like a demented literary form of playing Mortal Kombat. It's a tautly woven novella with nothing extra to clutter up the carnage. Definitely a fun, fast read for horror and thriller fans alike.

Since it was originally published, there's been a sequel put out, as well as an "uncut" version of each, even put together in an omnibus e-book on the Kindle Store and other places. If the extended version is as good as this, I'll definitely have to look out for it.